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How Aldis Hodge Transformed as Hawkman In ‘Black Adam’

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How Aldis Hodge Transformed as Hawkman In ‘Black Adam’


Aldis Hodge had been preparing to become Carter Hall, aka Hawkman, for years before Black Adam was even announced, he just didn’t know it yet. As a young man, he read graphic novels featuring the Justice Society of America from DC Comics, of which Hawkman was a member. And on his rise as a career actor, Hodge had racked up a number of buzzed-about physical performances, building an impressive physique along the way. But he always hoped for a superhero part to come through and give him the chance to really spread his wings.

Hodge was handed that chance when Black Adam star and executive producer Dwayne Johnson called him personally to offer him the Hawkman role. Men’s Journal spoke with Hodge about the fitness journey that began as soon as that call came, the workouts on set in Atlanta, and what it was like to square up in onscreen battle against Dwayne Johnson as the iconic antihero Black Adam.

Men’s Journal: Can you describe what it was like to get that call that you were going to play Hawkman?

Aldis Hodge: The first time I heard I was going to play the superhero was back in September 2020, the day after my birthday. I got a call from a random number, which ended up being DJ, aka Dwayne Johnson. I thought someone was playing a joke on me at first, but eventually realized that it was most definitely him. That’s when he told me, “Welcome to Black Adam.” My mind was blown at that moment, and I knew it was time to get started.

How much did you know about the character of Hawkman?

I’ve always been a big comic book guy. I grew up on graphic novels, and was already a fan of the JSA so already had ideas. But when I did get it, I put more time into learning about the character of Carter Hall, who is Hawkman’s actual identity. I didn’t want to get bogged down by all the different versions of the character that were out there. But one of the undisputed facts is the man is a superhero with or without the armor. The plating that he puts on is just an extension and an amplifying force to the power he already has.

Did you have an idea of how you wanted to look physically?

I really wanted to elevate the physique as much as possible, because this is the first time Hawkman has been in a film. There are a lot of fans of this character who wanted to see justice done. This goes back to 1940. His powers and capabilities are incredible. I wanted to push everything to the fullest extent. The fight scenes that we’ve done in this movie are unmatched. I wanted to make sure what I was doing stood up alongside what everyone was bringing in this one, lead by DJ.

Courtesy Image

So when it comes to getting started, what did you do first?

I guess you could say I was preparing a long time before I actually got the role. I’m not sure if I knew this was going to be the opportunity, but it’s all about staying ready, because you never know. I was staying in quarantine at the time, coming from another job, and as soon as I had the call from DJ the first thing I wanted to do was get in the gym. I tried to sneak into the hotel one but they wouldn’t let me. So instead, I had a few large dumbbells sent up to my room and the process of getting in shape for Hawkman started right there. I got the Bowflex joints where you can adjust the weight on the dumbbell. Those were great because I was stuck in a little room in the hotel and could manage a lot with those. I was in there doing chest flys, rows, and everything else.

How about when you were finally able to get into a real gym?

Everything went to that next level when I was able to get into a proper gym. I felt like a kid going into the candy store every day, because I’ve always wanted to have one of those gigs that forced me to push my training to that next level—an excuse to take it to that physical limit. Before getting this film, I’d done a bio picture about football player Brian Banks and spent a lot of time with the actual Brian Banks training. I took a lot of what I’d learned with him. That was a few years ago though, so my body was in a different place when I started this journey. I was already good with building muscle, but I wasn’t cutting the fat the way I needed to so I hit up DJ for a little guidance. He put me on his team who helped me get into the metabolic science of working out.

Who were some of those key players?

As far as the gym, when it came to bodybuilding, I worked with my guy Myles Humphus, who’s on DJ’s team. He’s a stunt guy who is awesome at his job, but he also knows how to build up a body like nobody’s business. He had so much confidence in me, he would take me to the gym and put me on a weight that I’d never attempted before. One day we were doing leg press, and I was expecting to do an easy 400 pounds, which I knew was easily in my range. Myles gets this crazy look in his eyes and puts on 1,000 pounds. I thought he was just doing that for his reps, and I was proud of him for it. Once he was done, he motioned over and wanted me to hit a few reps of it myself. I didn’t think I had it in me, but he had full confidence I did. I was surprised when I was able to knock them out. I needed someone like him there to push me beyond those previous limits, and set new benchmarks.

What did a typical day of training look like?

We would start by waking up at 4 o’clock in the morning, then get to the gym by 5 a.m. Everything would start with warming up, stretching, and mobility exercises. During those movements, we weren’t even using weights, just bodyweight as resistance. That time is even more important when you’re bulking up because you want to prevent getting too big and locking up while you’re putting on mass. We’d train for three hours until 8 a.m., then make our way to the stunt gym where we would work on fight choreography and wirework. On top of that, we’d do endurance runs and wrap around 4 p.m. So we had somewhere around a 12-hour day of training for two months straight, non-stop, until we started shooting the movie.

Two actors facing off on-screen
Courtesy Image

What were some of the exercises that you were doing during these sessions?

Once we were done warming up, the session might start off with benching some weight, which was kind of an additional warmup. My starter weight at the time was 185, then I’d get it up to 250 on the regular reps, and max out at around 300 pounds. Sometimes I’d have it up to 315. Along with my dude, Myles, we’d do slow tension pulls where you push the bar up explosively then slowly bring it back down to your chest as you count out five seconds. The movements were focused on having us deal with tension, fluid movement, and pressure in different circumstances. There was a constant force being exerted, if we were done with a set of bench presses, then we’d jump down and hit some pushups just to keep the muscles warm. End of the workout, we’d do a little rowing to completely burn out. We would try to see how fast we could get to a mile on the rowing machine. Once the filming started, the training didn’t stop. We had to keep up the pace to maintain everything we built.

Can you describe what it was like doing the stunt training?

I grew up with martial arts and I grew up watching action heroes. Jet Li, Jean-Claude Van Damme, and the rest. I was always looking for the reason to live in that space mentally. Black Adam filmed in Atlanta, and I got there early to start training with the stunt team. I was working with my stunt double David Charles Warren on movement and this guy is just insane. I like to do a lot of my own fighting, and I’m good at it, but this brother has insane ability in the air. We were working with Chris Brewster, who was our stunt coordinator and fight coordinator. I went to Chris and told him I wanted to build a style out of all the martial arts that I’ve studied. It really came down to movement and choreography.

I was super impressed with how you look in the suit, and that’s a compliment because when it comes to the physical aesthetic, it’s clear that’s all you. What was it like putting it on?

[Laughs] You’re right. That’s all me. There isn’t a whole lot to hide behind the suit. The only real challenge was seeing through the helmet, because it cuts down your visibility. I had to learn to convey emotions and act bigger, because the shield covers part of my face. The action with the suit was fun though.

I always wanted to step into the shoes of an awesome superhero, into the ultimate action world in any real capacity, and to end up getting to do it playing one of the most badass heroes out there is a win—especially when I get to go up against the biggest action star in the world. Hell yeah, this is the way I wanted to do it. I was blown away by how we were able to get the context out of these fight scenes, which was largely thanks to the partnership between our director Jaume Collet-Serra and our director of photography Lawrence Sher. They composed the fight scenes in a way that I think really elevated what we’ve seen in past superhero movies. The fight we did was beautifully savage. Everything was massive in a special way. We wanted the audience to see the best of Black Adam and the best of Hawkman.

You definitely brought the best of Hawkman to the screen. I’m hoping to seeing more movies with you as the character. Any plans?

There’s a lot of great backstory there with Hawkman that I’d love to explore…the reasons behind how he became who he did before we see him in Black Adam. I think there’s a lot to build on when it comes to the JSA and all of its members. I hope to see more of him, too.

Black Adam premieres in theaters on October 21st.


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10 Best Porters to Drink Right Now

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A bottle of Deschutes Black Butte Porter




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Best Time-Under-Tension Workout for Total-Body Strength

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Barbell Back Squat


The key to 360-degree muscle: 90-degree eccentric isometrics. It might seem like we’re throwing a lot of geometry at you, but the concept behind time under tension (TUT) is simple, says Joel Seedman, PhD, owner of Advanced Human Performance: “Perform the lowering phase of a movement in a slow, controlled fashion, usually 3 to 5 seconds; pause in the stretched position, typically around 90 degrees; then perform the lifting phase in a powerful yet controlled fashion.” Believe us, a time-under-tension workout can humble even seasoned lifters…Eccentric isometrics are like the pressure cooker of training.

“Rather than mindlessly performing slow-tempo reps, you’re using the increased time under tension as a means to fine-tune your body mechanics and alignment, which requires more mental engagement and focus,” Seedman adds.

If you want to forge functional muscle mass and strength while simultaneously bulletproofing the joints and connective tissue, give this 10-move, full-body eccentric isometrics workout a go.

Directions

Perform the following moves as 90-degree eccentric isometrics following the above protocol. Use heavy weight, but not at the detriment of proper form. Rest 60 to 90 seconds between sets and 2 minutes between circuits. Perform once every 2 to 4 days for optimal results.

Best Time-Under-Tension Workout for Total-Body Strength

Circuit 1

Marius Bugge

A. Barbell Back Squat

Set a squat rack up with heavy weight, then grasp bar and step under it. Squeeze shoulder blades together, then stand to unrack bar and step back with feet shoulder-width apart. Inhale, hinge at hips and slowly bend knees to 90 degrees. Pause, keeping natural arch in low back, then extend through hips to powerfully stand. 3 x 4-6 reps

Athletic man wearing gray T-shirt and maroon shorts renegade row
Marius Bugge

B. Renegade Row

Start in the top position of a pushup with hands shoulder-width apart on moderate-to-heavy dumbbells (shown). Explosively drive right elbow back to row dumbbell toward ribs while balancing on opposite hand and feet. Pause, then slowly lower weight, stopping a few inches above floor. Switch sides after all reps are done. 3 x 5 reps each side

Circuit 2

Athletic man wearing gray T-shirt and maroon shorts doing renegade row Dumbbell Bentover Row in gym
Marius Bugge

A. Dumbbell Bentover Row

Stand with feet hip-width apart, holding two moderate-to-heavy dumbbells in front of thighs, palms facing you. Push hips back and hinge torso forward so it’s nearly parallel to floor, soft bend in knees. Dumbbells should be near shins. Drive elbows back to row weights toward ribs. Pause, then slowly lower down for 3 to 5 seconds. 3 x 4-5 reps

Athletic man wearing gray T-shirt and maroon shorts doing Incline Dumbbell Chest Press with Legs Raised 
Marius Bugge

B. Incline Dumbbell Chest Press with Legs Raised 

Set an adjustable bench to a 30- to 45-degree angle and lie back with dumbbells in either hand. Engage core and lift legs off floor, flexing feet. Press weights overhead, palms in. Slowly lower to 90 degrees, staying tight and compact. Pause, then drive weights up directly over chest. 3 x 4-5 reps

Circuit 3

Athletic man wearing gray T-shirt and maroon shorts doing Dumbbell Bulgarian Squat
Marius Bugge

A. Dumbbell Bulgarian Squat

Stand lunge-length in front of a flat bench, holding heavy dumbbells in each hand by your sides, palms facing in. Rest the ball on top (shoe’s laces) of your right foot behind you on the bench. Slowly lower your body until your front thigh is parallel to the floor. Pause, then drive through your heel to stand. Switch sides after all reps are complete. 2 x 3-4 reps each side

Athletic man wearing gray T-shirt and maroon shorts doing Single-leg Romanian Deadlift
Marius Bugge

B. Single-leg Romanian Deadlift

Stand with feet hip-width apart holding dumbbells or kettlebells. Drive right leg up, foot flexed, knee aligned with hip, making a 90-degree angle. Hinge at hips as you slowly lever your torso toward floor, lowering weights and driving right leg back for counterbalance. Hold, then squeeze glutes to reverse. 2 x 3-4 reps each side

Circuit 4

Athletic man wearing gray T-shirt and maroon shorts doing pullup
Marius Bugge

A. Pullup

Hang from a pullup bar using an overhand grip with legs extended and feet flexed. Engage lats and draw shoulders down your back, then pull yourself up until chin is higher than hands. Pause at the top, then slowly lower. Pause at bottom, then reset before your next rep. 2-3 x 4-5 reps

Athletic man wearing gray T-shirt and maroon shorts doing Kneeling Overhead Barbell Press
Marius Bugge

B. Kneeling Overhead Barbell Press

Hold a bar with moderate-to-heavy load at shoulder level with forearms perpendicular to floor. Kneel at end of bench with feet flexed to grip edge for support. Inhale, engage your core and glutes, then press the bar overhead, pushing your head forward so it passes your face, exhaling at the top.
Slowly lower until elbows are at 90 degrees, then hold to maintain tension. Begin your next rep from here. 2-3 x 4-5 reps

Circuit 5

A. Dumbbell Pushup

Place hands on dumbbells (this provides greater range of motion) at shoulder width and feet wider than shoulder width with just toes touching the ground. Keep head neutral and hips high to increase tension on core, chest and tris and reduce stress on spine. Slowly lower to the floor. Stop
once elbows hit 90 degrees, pause, then push up to start. 1-2 x 6-8 reps

B. Biceps Curl

Stand with feet hip-width apart with moderate-to-heavy dumbbells in each hand hanging by sides. Engage biceps to curl the weights up, keeping upper arms still. Pause at the top, then lower slowly. Don’t let arms drop all the way down to keep greater time under tension on biceps. 1-2 x 6-8 reps


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The Best Jump Ropes for a Killer Cardio Workout

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The Best Jump Ropes for a Killer Cardio Workout




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