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How Henry Cavill Became Geralt of Rivia for ‘The Witcher’

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Henry Cavill in 'The Witcher'


Henry Cavill is no stranger to feeling the pressure from fans of a source material to look right for a role. Since being announced as Zack Snyder’s new Superman in 2011, he’s had the weight of the DC Universe on his shoulders. But with The Witcher, a book series and video game franchise based on the writing of Andrzej Sapkowski, Cavill was thrust into a new feverish fandom. So when it came time to wield the sword of Geralt of Rivia, he showed up on set more than ready.

“It’s nice to see that all the hard work we did on set and in the gym was worth it,” says Cavill, on the heels of releasing a hugely popular second season of the Netflix series. The actor actively campaigned for the right to play the magically enhanced monster hunter before having it confirmed in 2019. “In the end, I just want to do justice to these characters people love so much, myself included.”

Men’s Journal spoke with Cavill about his training evolution, putting on the Witcher costume, and his love of video games, where he first found this passion project.

You got familiar with this character through the video games. What does gaming bring to your life?

I use video games as a way to relax. They take me to an inspirational and creative mind space. That’s what I get when I’m playing games like The Witcher or Total War: Warhammer 2. The worlds are so rich and massive that there’s really no bounds to where you can go or what you can dream up. And then there are these epic battles you can have in these landscapes. I find it creatively very inspiring. It’s a place for me to relax and test myself in a different way, in a mental way.

How often do you get to play these days?

There are full weeks where I’m not able to play, of course, so the anticipation does build. When I have a day, a week, or even a month off, I can really get into it. I’ll load up saved games and it does make a big difference for me. Total War: Warhammer 2 released some new DLCs recently that I’ve been excited to load up. It’s a time where I’m not having to be on video, working, or answering any messages. The time is only for me.

I think you guys did a great job with the first season of The Witcher, but I’m sure there were advancements you were looking to make. How quickly after that first batch of episodes did you start working on the next?

The work for season two of The Witcher started almost immediately after we wrapped up the press tour for the first one. The process began with me having a conversation with the stunt and fight coordinators. There were new athletic elements to consider in workouts with my trainer, Dave Rienzi, especially since I was going to be wielding a sword. The work we did translated directly into the explosive power I needed when playing that character, as well as doing those action scenes.

Did you have any setbacks this time around?

I actually tore my hamstring sprinting on set during the second season—a grade 2 hamstring tear. I was upset, but it also became a learning experience where I learned how to accept not being my best and how to dial it back when necessary. It’s been a growing experience for me, and probably a very necessary one. I was lucky that I was connected with physical therapist Freddie Murray who was able to get me back in action sooner than expected. I had a sprinting scene I had to do right when I got back on set.

There are a few projects you’ve done that required you to wear a superhero suit or costume. How does this one compare?

When it comes to the Superman suit, there’s undoubtedly a lot more pressure, because it’s so iconic and a little more formfitting. There’s no escaping reality when you put a suit on. There’s a bit more leeway when it comes to The Witcher outfit, but I’ll concede that it’s a nightmare for the costumers to get it tailored just right. It can be tricky, especially if you get fitted for a suit at the beginning of a film, then train hard throughout the lead up to do a shirtless scene you need to look especially good for. Having to stand for a bunch of tailoring appointments isn’t fun.

Do you have any ideas on how you might want to train differently for the third season?

For this next season of The Witcher, I want to tweak the physique a little bit. My goal is to bring that character as close to what’s seen in the comics as possible. I liked the sprinting work we started to do last season and, with Dave, I’d like to combine that with workouts that focus on hypertrophy. Fingers crossed I can continue to bring an even more Geralt-like Geralt in the next one. I imagine we’ll get going again sooner than later, so these days I want to be in shape all the time, and not have these ups and downs. I like that feeling of being ready for action at any moment.

Looking back on your career, what are the big defining moments when it comes to how your train for roles?

Over the course of my 21-year career I’ve gone through peaks and valleys with my fitness. Even though I played rugby growing up, my brothers were always in better shape. But I didn’t start working hard in the gym until I got Immortals. During that time on set, I was putting in time with Roger Yuan, who has an impressive background in stunts and martial arts. I had to be lean for that role and the training we were doing really aligned with that. I felt that ability to perform at a reasonably high level. I liked that feeling.

The job I got right after Immortals specifically wanted me to be out of shape, so I remember eating everything around me with gusto. I got to experience going back and forth like that early, but I’ve had quite a few more roles that’ve required me to get in serious shape. Everything went to that next level when I was connected with Mark Twight while we were working on Man of Steel. That was a growing process both mentally and physically, the first time I actually changed size. I had to put on some real mass for that movie, and that required a big push. I built a good engine during that time as well. That continued through Batman v Superman and Justice League.

Do you have a film or project in the past that was especially difficult to prepare for?

They’re all pretty grueling in different ways. I know there have been some rowing sessions that were absolutely brutal. And some squat workouts as well. Some of the cutting weight sessions were tough to get through, especially when you’re trying to maintain that roundness to the muscles. I mean there’s a certain point in which you’re smelling water. People are asking you if you want a glass of water, and you have to say no, which absolutely kills you. Because there’s nothing you want more than a glass of cold water!

Netflix

You did an intensive camp with MuscleTech where you looked to push yourself even further. What have been the results?

I started my training relationship with Dave Rienzi more recently, and he’s shared great insight into building a full-body aesthetic. That’s become very useful for me, because of how long the work days are and how difficult it can be to find time. I hit a point in which I was no longer interested in doing these super long, drawn-out sessions that burned me out. I don’t want to be starting a long shoot day already exhausted. I had been doing that process movie after movie, and there comes a point when you start to ask yourself whether or not there’s an easier, more efficient way. That’s what I was able to key into with Dave.

Now I know how to create my own workout spaces that can travel with me. In the past, I used to spend all of this energy trying to find a gym or a hotel that would let us train, especially at the time we’d need to be in there. And there’s also the matter of privacy, which is important, as well during these kinds of projects. Now I have the ability to do it effectively everywhere. I found more balance in my exercise routine and enjoyment in trying new things.

I have this real passion for interval sprints, and have seen real improvement in my ability since starting that journey. It’s made me better at my job. There’s a great hormonal response that comes with running as well, that makes muscles look good, which always helps.

Since you enjoy gaming when you can, have you found any other characters from that world you’d like to bring to life?

There absolutely are, but I’m keeping those under my hat for now, just in case someone decides to steal the idea!

The Witcher is now available on Netflix.


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10 Best Porters to Drink Right Now

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A bottle of Deschutes Black Butte Porter




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Best Time-Under-Tension Workout for Total-Body Strength

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Barbell Back Squat


The key to 360-degree muscle: 90-degree eccentric isometrics. It might seem like we’re throwing a lot of geometry at you, but the concept behind time under tension (TUT) is simple, says Joel Seedman, PhD, owner of Advanced Human Performance: “Perform the lowering phase of a movement in a slow, controlled fashion, usually 3 to 5 seconds; pause in the stretched position, typically around 90 degrees; then perform the lifting phase in a powerful yet controlled fashion.” Believe us, a time-under-tension workout can humble even seasoned lifters…Eccentric isometrics are like the pressure cooker of training.

“Rather than mindlessly performing slow-tempo reps, you’re using the increased time under tension as a means to fine-tune your body mechanics and alignment, which requires more mental engagement and focus,” Seedman adds.

If you want to forge functional muscle mass and strength while simultaneously bulletproofing the joints and connective tissue, give this 10-move, full-body eccentric isometrics workout a go.

Directions

Perform the following moves as 90-degree eccentric isometrics following the above protocol. Use heavy weight, but not at the detriment of proper form. Rest 60 to 90 seconds between sets and 2 minutes between circuits. Perform once every 2 to 4 days for optimal results.

Best Time-Under-Tension Workout for Total-Body Strength

Circuit 1

Marius Bugge

A. Barbell Back Squat

Set a squat rack up with heavy weight, then grasp bar and step under it. Squeeze shoulder blades together, then stand to unrack bar and step back with feet shoulder-width apart. Inhale, hinge at hips and slowly bend knees to 90 degrees. Pause, keeping natural arch in low back, then extend through hips to powerfully stand. 3 x 4-6 reps

Athletic man wearing gray T-shirt and maroon shorts renegade row
Marius Bugge

B. Renegade Row

Start in the top position of a pushup with hands shoulder-width apart on moderate-to-heavy dumbbells (shown). Explosively drive right elbow back to row dumbbell toward ribs while balancing on opposite hand and feet. Pause, then slowly lower weight, stopping a few inches above floor. Switch sides after all reps are done. 3 x 5 reps each side

Circuit 2

Athletic man wearing gray T-shirt and maroon shorts doing renegade row Dumbbell Bentover Row in gym
Marius Bugge

A. Dumbbell Bentover Row

Stand with feet hip-width apart, holding two moderate-to-heavy dumbbells in front of thighs, palms facing you. Push hips back and hinge torso forward so it’s nearly parallel to floor, soft bend in knees. Dumbbells should be near shins. Drive elbows back to row weights toward ribs. Pause, then slowly lower down for 3 to 5 seconds. 3 x 4-5 reps

Athletic man wearing gray T-shirt and maroon shorts doing Incline Dumbbell Chest Press with Legs Raised 
Marius Bugge

B. Incline Dumbbell Chest Press with Legs Raised 

Set an adjustable bench to a 30- to 45-degree angle and lie back with dumbbells in either hand. Engage core and lift legs off floor, flexing feet. Press weights overhead, palms in. Slowly lower to 90 degrees, staying tight and compact. Pause, then drive weights up directly over chest. 3 x 4-5 reps

Circuit 3

Athletic man wearing gray T-shirt and maroon shorts doing Dumbbell Bulgarian Squat
Marius Bugge

A. Dumbbell Bulgarian Squat

Stand lunge-length in front of a flat bench, holding heavy dumbbells in each hand by your sides, palms facing in. Rest the ball on top (shoe’s laces) of your right foot behind you on the bench. Slowly lower your body until your front thigh is parallel to the floor. Pause, then drive through your heel to stand. Switch sides after all reps are complete. 2 x 3-4 reps each side

Athletic man wearing gray T-shirt and maroon shorts doing Single-leg Romanian Deadlift
Marius Bugge

B. Single-leg Romanian Deadlift

Stand with feet hip-width apart holding dumbbells or kettlebells. Drive right leg up, foot flexed, knee aligned with hip, making a 90-degree angle. Hinge at hips as you slowly lever your torso toward floor, lowering weights and driving right leg back for counterbalance. Hold, then squeeze glutes to reverse. 2 x 3-4 reps each side

Circuit 4

Athletic man wearing gray T-shirt and maroon shorts doing pullup
Marius Bugge

A. Pullup

Hang from a pullup bar using an overhand grip with legs extended and feet flexed. Engage lats and draw shoulders down your back, then pull yourself up until chin is higher than hands. Pause at the top, then slowly lower. Pause at bottom, then reset before your next rep. 2-3 x 4-5 reps

Athletic man wearing gray T-shirt and maroon shorts doing Kneeling Overhead Barbell Press
Marius Bugge

B. Kneeling Overhead Barbell Press

Hold a bar with moderate-to-heavy load at shoulder level with forearms perpendicular to floor. Kneel at end of bench with feet flexed to grip edge for support. Inhale, engage your core and glutes, then press the bar overhead, pushing your head forward so it passes your face, exhaling at the top.
Slowly lower until elbows are at 90 degrees, then hold to maintain tension. Begin your next rep from here. 2-3 x 4-5 reps

Circuit 5

A. Dumbbell Pushup

Place hands on dumbbells (this provides greater range of motion) at shoulder width and feet wider than shoulder width with just toes touching the ground. Keep head neutral and hips high to increase tension on core, chest and tris and reduce stress on spine. Slowly lower to the floor. Stop
once elbows hit 90 degrees, pause, then push up to start. 1-2 x 6-8 reps

B. Biceps Curl

Stand with feet hip-width apart with moderate-to-heavy dumbbells in each hand hanging by sides. Engage biceps to curl the weights up, keeping upper arms still. Pause at the top, then lower slowly. Don’t let arms drop all the way down to keep greater time under tension on biceps. 1-2 x 6-8 reps


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The Best Jump Ropes for a Killer Cardio Workout

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The Best Jump Ropes for a Killer Cardio Workout




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